03 / Visual Identity

Visual Identity

The brand’s marks — woodcut illustrations, wordmark, icon, and the rules for how all three behave together on screen, in print, and on buildings.

The system

One brand, four marks.

The Illustrative Mark is the brand’s most distinctive asset — a series of woodcut compositions that put the workday and the Northwoods in the same frame. The Wordmark is our typographic signature. The Brand Icon is the shorthand. The Axe is a quiet secondary mark we use to anchor texture and craft. Together they make a system that scales from a favicon to a thirty-foot sign.

Primary — the Illustrative Mark

Woodcuts that put work and the Northwoods in the same frame.

The Lumber Exchange’s primary visual identity is a set of woodcut-style illustrations. Each one is a small narrative — work and the wild rendered in the same hand, in the same stroke, on the same page. A laptop on a coffee-stained table next to a pine. A morning view from the deck with a notebook in the foreground. These aren’t decorations under the wordmark; they are the brand at its most distinctive.

The four compositions below are the founding set. The illustration system is designed to grow — over time we’ll commission new woodcuts for menus, building signage, packaging seals, member-card backs, founding-class kits, seasonal campaigns, and any moment where the brand earns the canvas. New compositions should be commissioned through the brand team, not improvised. The line is consistent; the subjects are not.

Where to use them: large-format signage, restaurant and café menu boards, wall installations, exterior banners, large-format printed collateral, hero moments on web and social, packaging, and event signage. Anywhere the brand has the room to speak in full sentences instead of initials.

Lumber Exchange woodcut illustration — composition 1

Composition 01

Primary woodcut — hero signage, large-format applications, restaurant menus

Lumber Exchange woodcut illustration — composition 2

Composition 02

Alternative woodcut — menu boards, hospitality print, founding-member kits

Lumber Exchange woodcut illustration — composition 3

Composition 03

Stacked composition — vertical applications, banners, packaging side panels

Lumber Exchange woodcut illustration — composition 4

Composition 04

Stamp / seal composition — wax seals, lapel pins, member-card backs

Four compositions today. The library will grow — new commissions are tracked by the brand team and added here as they ship.

Secondary — the Wordmark

Tungsten, set to our name.

The Wordmark is our typographic signature, set in Tungsten Semibold. Use it any time the context calls for the brand to identify itself in plain language — page headers, document covers, footer credits, navigation, business cards, signed announcements. It is the second-most-important mark after the Illustrative Mark.

Wordmark, bark on warm paper

Bark on Paper

Default light surfaces

Wordmark, paper on near-black

Paper on Bark

Default dark surfaces

Wordmark, amber on near-black

Amber on Bark

Hero and accent moments

Wordmark, warm stone on near-black

Stone on Bark

Quiet contexts, secondary surfaces

Wordmark, soft teal on near-black

River on Bark

Special editions — requires approval

Shorthand — the Brand Icon

For tight spaces.

The Brand Icon stands in for the Wordmark when the wordmark would be illegible — favicons, social avatars, app icons, monogrammed lockups. Use it any time the Wordmark would render below 96 px wide on screen.

Brand icon, bark on paper

Bark

On paper

Brand icon, paper on bark

Paper

On bark

Brand icon, amber on bark

Amber

On bark — hero

Brand icon, stone on bark

Stone

Quiet contexts

Brand icon, river teal on bark

River

Special edition

Small variations

Eighteen small marks.

Small-form adaptations of the brand mark for tight contexts — UI chrome, favicons, stickers, embroidery, embossing, member-card faces. Each variation has its own purpose; consult the brand team before applying one in a new context.

On paper

  • Small icon variation 01
    01
  • Small icon variation 02
    02
  • Small icon variation 03
    03
  • Small icon variation 04
    04
  • Small icon variation 05
    05
  • Small icon variation 06
    06
  • Small icon variation 07
    07
  • Small icon variation 10
    10
  • Small icon variation 15
    15
  • Small icon variation 16
    16
  • Small icon variation 17
    17

On bark

  • Small icon variation 08
    08
  • Small icon variation 09
    09
  • Small icon variation 11
    11
  • Small icon variation 12
    12
  • Small icon variation 13
    13
  • Small icon variation 14
    14
  • Small icon variation 18
    18

Distinctive secondary — the Axe

A quiet wink, never a stamp.

The Axe is the brand’s most distinctive small-mark accent. It’s a direct nod to Hayward’s lumber and logging heritage, rendered in two amber and bronze tones that read as material — like a real object catching light from above. It is never a replacement for the Wordmark or the Illustrative Mark in a hierarchy position. It’s the brand’s seal, its stamp, its initial.

Use it for wax seals, member-card backs, packaging stamps, signage corners, anywhere the brand needs to mark its territory in a single shape. Use it sparingly — the Axe loses its power if it appears next to every block of copy.

Lumber Exchange axe mark in amber and bronze

Axe — primary

Default secondary application

Lumber Exchange axe mark — alternate variation

Axe — alt

Adjusted depth ratio between amber and bronze

Clear space & minimum sizes

Give every mark room. Don’t shrink it past usefulness.

Clear space

Keep a margin equal to the cap-height of the Wordmark (or the full height of the Brand Icon when used alone) on all sides. Nothing — not type, not illustration, not photo edge — crosses that boundary.

Minimum sizes — Wordmark

  • Digital: 120 px wide
  • Print: 0.85 in / 22 mm wide
  • Below those, switch to the Brand Icon.

Minimum sizes — Brand Icon

  • Digital: 24 px
  • Print: 0.25 in / 6 mm
  • Favicon-safe at 16 px in monochrome only.

Light / dark usage

Which mark goes where.

Do

  1. +Bark on Paper for printed and primary digital surfaces.
  2. +Paper on Bark for footers, hero overlays, dark-mode UI.
  3. +Amber on Bark for hero moments — launch campaigns, founding-member materials, signage at night.
  4. +Place a Bark or Paper plate behind the mark when it has to sit over photography.

Don’t

  1. No off-palette color. The five approved treatments are the only treatments.
  2. No outline, stroke, or drop shadow. The mark is solid or it is wrong.
  3. No rotation, skew, or warp. Not for emphasis, not for fun.
  4. No reconstructing the Wordmark in another typeface. Always reach for the licensed file.